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The following article is an excerpt from the new edition of “In Review by David Ehrlich,” a biweekly newsletter in which our Chief Film Critic and Head Reviews Editor rounds up the site’s latest reviews and muses about current events in the movie world. Subscribe here to receive the newsletter in your inbox every other Friday. This is a…
When the billionaire chief executive of AI chipmaker Nvidia threw a party in central London for Donald Trump’s state visit in September, the power imbalance between Silicon Valley and British politicians was vividly exposed. Jensen Huang hastened to the stage after meetings at Chequers and rallied his hundreds of guests to cheer on the power…
In the corner of one of Westminster’s endless Christmas receptions, a Conservative veteran of the Brexit years admits they are somewhat baffled by the frenzied leadership speculation among the new Labour ranks. It was easy to forget, they said, given how many Tory leaders the party cycled through – but prime ministers were not that…
The last time screenwriters Mona Fastvold and Brady Corbet collaborated, on the Corbet-directed “The Brutalist,” they created a bold American epic that garnered deserved critical praise and awards attention for its textured 70mm images (captured via VistaVision) and sweeping vision of 20th-century art, culture, and politics. For their new film “The Testament of Ann Lee,”…
OpenAI is kicking off the new year with yet another acqui-hire. The AI giant is acquiring the team behind Convogo, a business software platform that helps executive coaches, consultants, talent leaders, and HR teams automate and improve leadership assessments and feedback reporting. An OpenAI spokesperson said the company is not acquiring Convogo’s IP or technology,…
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The most beautiful and entrancing animated film I saw this year — a five-minute stop-motion short called “The Dying World,” directed by 27-year-old artist, actress, model, and one-time reality TV star Lauren Tsai — is the story of an idea that no one wants. And it began with an idea that Tsai had always been afraid…
“The Pitt” has won the Golden Globe for Television Series, Drama, beating out a field that included some of the most formidable contenders from past and future Emmy races. The series, which hails from creator R. Scott Gemmill and executive producer John Wells, was an immediate success after debuting on HBO Max in January 2025….
A shouty and self-serious action thriller about a team of ambiguously corrupt Miami cops who threaten to turn on each other after they discover a fortune of very stealable cartel money hidden in an unassuming safe house, Joe Carnahan’s “The Rip” would be easy to dismiss as run-of-the-mill streaming fare if not for the casting…
A funny thing happened when Netflix put the “Stranger Things” finale in theaters: Fans got tickets. A lot of tickets. The AMC Kips Bay in New York City listed 11 screenings as “almost full” on New Year’s Eve alone. (There are New Year’s Day showings, as well.) The 34th Street theater filled up nine screenings,…
